 Apartment description
Our spacious and modern Frans Hals Residence is centrally located on the picturesque Keizersgracht canal, close to the city’s Art District in the heart of historic Amsterdam.
This light and airy second floor apartment, styled on the Dutch Golden Age painter’s work, overlooks beautiful private gardens. It is within easy walking distance of the city’s many vibrant cafes, restaurants and shops, and the main museums and theatres are easily accessible on foot, by bicycle or tram.
High, classically detailed ceilings and large windows create a bright and luxurious ambiance. This one bedroom residence features wooden floors, a spacious living room with all the comforts of home, and an open kitchen providing facilities to dine and entertain in style.
The Frans Hals Residence features:
- Living room with flat screen TV
- Master bedroom with spacious 2-person bed, walk-in closet and flat screen TV
- Broadband internet connectivity
- Pay TV option
- Modern and fully equipped kitchen, including dishwasher, electric stove top, microwave / oven combination, and refrigerator / freezer
- Modern bathroom with toilet, full bath and shower
- Central heating and air conditioning
- Washing machine and dryer
- Private safe for storing valuables
- Fresh towels and linens
- Regular cleaning
- On-call concierge
Highlights:
- 1 bedroom
- Comfortably sleeps 2 people
- Approximately 50 m2
- Overlooking beautiful private gardens
Frans Hals (1583 – 1666)
Frans Hals was a talented artist, specialised in portrait and group paintings. He was born in Antwerp, but moved further north at a young age when the city fell to the Spanish in 1584.
Hals is best known for his ability to capture exact tone, light and expression. Despite constant demand for his work, he was often in financial trouble. As a result, his later paintings are less colourful and detailed, a fact attributed to increasing poverty: black and white pigments were cheaper than colour. After Hals's death, his works became virtually worthless, until he was ‘rediscovered’ in the mid-19th century.
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